But the brief spells of narrative aren't worth pondering over for too long: it's shallow stuff, and merely serves as a way of driving you from one fight to the next. Similarly confusing are the visions Vergil has of his mother in hell. Whether you're righting the real Dante, seeing a vision, or are merely in a dream is never full explained. Driven by the image of his own brother's betrayal and a ghostly spectre of himself, Vergil sets about exacting his revenge on Dante, or at least a vision that he has of Dante. But where it was easy to see the good in Vergil then, or at least relate to his character in some ways, here he walks the well-worn path of a full-on evil villain. Having been defeated at the hands of his own brother in DmC, Vergil is understandably a little miffed.
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